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Practical Demonkeeping, Blood Sucking Fiends, Island of the Sequined Love Nun, The Lust Lizard of Melancholy Cove, Coyote Blue and Lamb, by Christopher Moore.
- Published by several houses
When I first met Danielle, one of the first things she did after getting a feel for my sense of humor was pass on a book titled, Island of the Sequined Love Nun. Now, how can you turn down a book with a title like that? And you know that old saying, "Don't judge a book by it's cover?" Trust me, it falls apart here. It was so wacky, so drop dead funny and weird that I immediately sought out the author's first book, Practical Demonkeeping, just to see if it was as funny. I have since done that to all of his books and have not been disappointed once. If you want a good book that you can burn through in less than a week that provides solid laughs and pure entertainment, you can not go wrong with any of Moore's books.
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Cannery Row and Sweet Thursday by John Steinbeck
- Penguin Books, New York
These are my two all time favorite books. Cannery Row is about a
group of ne'er-do-wells who lived down in the cannery distric of Monterey,
California, back in the thirties and forties. The characters find themselves
in several odd situations. Many of the stories revolve around the character
Doc Ricketts, based on Steinbeck's good friend Ed Ricketts. Sweet
Thursday is the sequel to Cannery Row. I think I prefer this book
over Cannery Row because Steinbeck develops the characters a little
better and gives more structure to the plot. The stories and characters in
these two books are loosely based on actual events and people who lived on
Cannery Row, then known as Hovden Way (after one of the prominent canneries on
the row), during Steinbeck's life. Those interested in visiting Cannery Row
may do so, but will probably be dissappointed by what they find. The canneries
are gone, replaced by the Monterey Bay Aquarium and several shops designed to
attract tourists. Some of the original buildings are still there, including
"Lee Chong's Heavenly Grocery" and "Pacific Biological", Doc's old lab. Many
of the other buildings were destroyed during a huge fire that devastated the
row. As you can see, I have a certain passion for these stories.
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Youth in Revolt and Revolting Youth, by C.D. Payne
- Doubleday, New York
These are the journals of fictitious teenager
Nick Twisp. He's fourteen years old and goes from being regular, horny,
non-descript teen to cross-dressing fugitive. I read it because it got pretty
good reviews in the local papers. I found it to be one of the most hilarious
books I've ever read. If I weren't afraid to write down my own sexual
fantasies and if my mother were like his (the descriptions of his father,
while a bit different, are very similar to my descriptions of my own father)
then the first third of this book would probably be very similar to my own
journals from when I was 14. He talks about sex, drugs, rock and roll,
divorce, crummy step-parents, and many other things. He burns down half of
Berkeley, helps a friend fake death, and is responsible, directly and
indirectly, for several other events that are, ultimately, beyond his control.
I'll warn you, if you are easily offended this may not be the book for you. He
spend a lot of time talking about his erections and sexual fantasies in full
graphical explainations, but the context is usually hilarious and it all fits
into the feel of the book. I dare you to read the first two paragraphs and not
feel a need to continue.
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Red Dragon, by Thomas Harris
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In 1981, this was just a really tense little thriller that gained a good deal of popularity and spawned a terrific little film called Manhunter.
Now, after "Silence of the Lambs" and "Hannibal", this book is being advertised with the slogan, "Meet Hannibal for the First Time." The deal is this: If you want to read this book to get the skinny on Dr. Lecter, you're barking up the wrong tree. He makes some very important, very creepy appearances, but is otherwise just kinda there. He essentially makes a cameo appearance. Which is even weirder when you consider that this is the first book of the trilogy and, with every subsequent book, he moves closer to the center of attention. Seems kind of backwards.
But don't be fooled: this is an intense, excellently written story. I'm not much of one for the whole tense thriller genre of writing, but this one just blew me away. Francis Dolarhyde is a an A-1 certified whackjob of the highest order. Makes Lecter seem very tame in comparison. I was told by a friend that they told you who the killer was early on in the book, which boggled my mind since, hey, isn't that half the point? How do you keep the suspense going when you know who's doing what? Well, trust me, Harris made it work. Really well.
Seriously, buy and read this book. It's a damn good story that'll make you cringe and think. And Will Graham, the investigator, is just as compelling as Clarice Starling, if not more so. Just an all-around good read.
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24 Hours, by Greg Iles
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Tense thrillers are not usually my bag. There's often way more drama than I'm willing to put up with in a book and the action is sometimes difficult for the author to describe, so it's difficult for me to visualize. I only mention this to give you context for my impressions.
This book was suggested to me by my soon-to-be mother-in-law. She and her husband loved the TV show "24" and I believe she picked this book up thinking it was connected. In actuality, I don't believe it has anything to do with the show. But it's a pretty good book none-the-less.
Joe Hickey has thought up the perfect crime: find a rich doctor who is still married and has only one young child. Wait until said doctor goes to the annual medical convention in Mississippi. Have your mentally challenged giant of a cousin kidnap the child, your ex-stripper/prostitute of a wife hook up with the husband and hang out with the wife on your own. Call your cohorts every 30 minutes. If a call gets missed, your cousin is under orders to kill the child.
What if the wife fights back? Simple - Joe calls his cousin Huey and orders the child killed. What if the husband tries something rash and calls the police? Well, Joe's wife Cheryl will miss the 30 minute call and, yes, Huey will kill the kid. The operation takes 24 hours to complete. The husband, who is a collector of expensive things, will receive a wired transfer of money that he has "asked" his wife to send so that he can add something new to his collection. He will then pick up the money and give it Cheryl, who will go to a planned destination and inform Joe of the transfer, who will then tell Huey to bring the child back to the mother. The money they're asking for is only about $200,000, which isn't much money for a rich, successful doctor. The trio has done this five times before and no one has ever died. Joe's number one rule is "the kid always makes it."
Pretty good setup, no? Well, family number six doesn't dig this and they fight back. Oh, and the kid this time has juvenile diabetes and can "go south" quickly if she doesn't have her insulin shot. Little things like that wreck Joe's plan.
It's kind of interesting to see how the new family helps bring the demise of Joe's plan, which is actually accented by a few backup procedures should something go wrong. There's a rather disturbing scene involving Joe attempting to rape the wife in the new family and her revenge for the act, plus a lot of gut-wrenching medical descriptions of stuff that, really, is better left for the movies.
All-in-all, if you like the thriller genre, pick this up. Apparently Iles is pretty well-known in this area. Having just come off of Red Dragon, it was hard for me to get into the thriller side of this book. It was also hard to get past the similarities - Both are set in the south, both involve some aspect of one guy trying to get into the head of a criminal, etc. And I think Red Dragon was a better book, but this was good on its own merits. Go pick it up.
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Filth, by Irvine Welsh
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Bruce Robertson is a complete and total pig of a man. And he makes no apologies for it. His wife has left him for infidelity (and various other offenses) and taken with her their only child. He is a policeman for the Edinburgh district, and a corrupt one at that. He loves to partake in what he calls "the games", which is a polite way of saying "f---ing with other peoples' heads". All in all, the guy is a complete and total unsympathetic bastard - and one hell of a compelling character.
Dani's brother is a huge fan of Welsh's (best known as the guy who brought us "Trainspotting") and thrust this book upon me some time ago, urging me to read it. It took more than a year before I finally took the time to pick it up. It was a good read, albeit dreary. If you're the kind of person who absorbs some of the personality of the main character (like I am, to some degree) I suggest you skip this one.
Written in the first person, you get an unflinching view into the mind of an asshole. Welsh writes about Scots and, in doing so, writes using a form of english that can take a bit of getting used to. Take this short passage, for instance:
- Listen Gus, whaire's Ray Lennox the now? Ehs no in here drinkin wi us, is eh? Naw. I'll wager three tae one, naw, make that four tae one on, that he'll be drinkin wi they silly wee lassies in some fuckin wine bar up the toon, just like eh wis eftir that fuckin course...
If you're offended by course language, skip this. If you're offended by womanizing old bastards, skip this. If you're offended by corrupt cops who love being corrupt, skip this. If you're offended by reading a scene about a cop who forces a 15-year-old girl to perform oral sex on him to keep him from telling her father, a judge, about her drug-dealing ways, skip this.
If none of this offends you, get this book. And see if you can't do something about being so damned jaded.
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Black Sunday, by Thomas Harris
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After Red Dragon, I got onto a Thomas Harris kick in a big way. I ran right out and purchased his first book, Black Sunday, and Silence of the Lambs, which is one terrific movie. I skipped Hannibal because it got lousy reviews, both book and movie, but I'll probably fall sway to that one as well.
As mentioned, Black Sunday is Harris' first book, and it kind of shows. It was written in the year I was born, 1975, and a lot of that shows in the plot, as there are tons of references to Mohamar Qadafy and Libyan terrorists. Ironically, though, after Sept. 11, this book also seems fresh at the same time.
A big Libyan terrorist has put a plan in motion that would kill tens of thousands of people in one flash in front of an audience of millions. The plan is drop a large bomb from the Aldrich blimp over the crowd at the Super Bowl in New Orleans. This all takes place just before the completion of the Super Dome.
The plot is carried through by two smaller Libyan terrorists: a vicious soldier by the name of Fasil and a deadly yet beautiful agent named Dahlia. They have found their perfect ally in an American former Vietnam POW named Michael Lander, who also just happens to be a pilot for Aldrich.
On the counter-terrorist side are the FBI, DOJ and a pair of Israeli secret-service commandos who have been in the thick of every terrorist action in the middle east since the 60s. What results is a tense cat and mouse game where there are ultimately no winners.
Black Sunday was a good book, but I felt it fell kind of flat at the end. The last quarter of the book was intense, as both circles started closing tighter on each other, but I expected it to end with a much bigger bang. None the less, it was frightening to get a look at what is no longer a far-off possibility. Such an attack on American soil has always been thought of as nothing more than hyperbolic doomsday-ism. After Sept. 11, an attack like he one described in Black Sunday doesn't sound so far-fetched. It's certainly not Harris' best, and it's quite the departure from the books that would follow focusing more on serial killers than anything else, but it is a good read on its own. If you dig his writing, you'll dig this.
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Silence of the Lambs, by Thomas Harris
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I burned through this book so fast I didn't even have a chance to put it up on the homepage. After Red Dragon, I went a little nuts for Harris and felt the need to read the Silence of the Lambs even though I had already seen the movie a couple of times. To be honest with you, I've forgotten a great deal about the movie -- it's been almost a decade since I last saw it -- so I can't compare the two particularly well. I do know that I found the movie kind of hard to follow at some points, but that may just be my foggy memory.
As a book, though, Silence of the Lambs works REALLY well. I mean, talk about intense. After reading Red Dragon, you're kind of left wanting more Lecter scenes. In Lambs, you get that and then some. And Lecter comes across as a brilliant psychopath, which he is. It makes one wonder how Harris came up with the character, i.e. how much of Lecter is actually in Harris' head. Scary.
I won't belabor the plot -- you know it. If you don't, you probably don't care anyway. Lambs is regarded nowadays as classic suspense cinema, and the chances are you've either seen it because you dig that sort of thing or haven't because you don't. If you fall into that former class, however, I'd suggest at least giving the book a try. Calling it a tight thriller doesn't do it justice.
I think the one thing that impresses me most about Harris' work is his character development. He really loves his characters and takes a considerable amount of time carefully structuring their nuances, background and motives. You walk away understanding the central characters and knowing their history as if they were people you came across in your daily life. The one exception is Dr. Chilton of the asylum, who was sort of a pain in the ass in Red Dragon but, for reasons that are never adequately explained, becomes a complete and total money-grubbing, fame-seeking asshole in Lambs. That lack of development sticks out when placed next tot he well-developed characters of Crawford, Starling, Lecter and Gumb.
Despite the poor reviews that both the book and movie have received, I am now compelled to read Hannibal, which will probably be the next one on my list. My hopes aren't too high for it but, if it's even 60 percent as good as Lambs, I know it's gonna be a good one.
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Hannibal, by Thomas Harris
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If you read any of the reviews for this book and the movie, you probably walked away with one feeling: it's crap. I read more than one review that called the story overindulgent. Basically, I walked into this expecting it to be a complete load of solid waste.
It's not the best book in the series, that's for sure, but it's certainly not as bad as everyone made it out to be. I have yet to see the movie (and, since I'm not a big fan of gore, I may need to gird my stomach before I break down and rent it) but the book is actually kinda cool. As the title implies, it focuses on Hannibal, far more than Lambs did. Clarice Starling is back and, while she does some strange things that I feel are a shade out of character, it feels good to have her back in the story.
Perhaps the most interesting part of all is that you learn part of Hannibal's motivation. You get some solid glimpses into his past and begin to understand why this otherwise refined and noble person would develop such shocking perversions.
Those perversions pale in comparison to those of his enemies, though. The thrust of the book is that Hannibal has set himself up in Italy in what would seem to be an ideal position for him: caretaker for an ancient estate. He has hardly killed anyone since he killed his predecessor for the job (call it creative job seeking) and has settled down. But victims from his past atrocities refuse to let sleeping dogs -- or pigs, in this case -- lie. Once such victim has been seeking Lecter ever since the good doctor fed him alive to the dogs. The victim survived, though in a significantly reduced state, and is bent on revenge, in between his pedophilic and destructive hobbies.
Harris introduces some real doozies in this one, and then proceeds to bring Lecter and Starling's relationship to a strange level. Watching the Manchurian Candidate (or that one episode of Star Trek where the Cardassians tried to brainwash Jean-Luc "There are FOUR lights" Picard) may be a prerequisite to understanding the ending. It's a pretty damn good read. Makes one wonder what (if anything) Harris has in store for the next chapter.
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The Lord of the Rings, by J.R.R. Tolkein
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I was working at MightyWords just before the Fellowship of the Ring hit theaters. It should be noted that LOTR fans are just as rabid, if not more so, as Star Wars geeks. They just haven;t had an event to allow them to coalesce publicly in a while.
At MW, I was surrounded by rabid Tolkeinites who knew more about the geography of Middle Earth than of the United States. They spent hours poring over spoiler spy photos of Uruk Hais, cave trolls and hobbit feet just awed by everything. I think I was outed when I asked what the hell was an Uruk Hai.
"WHAT!", they exclaimed. "Has one among us not read the holy scriptures of Tolkein? Has he not been enchanted by tales of the elves and horrified by the darkness rising in Mordor toward the westerlands? Swear your allegiance to the men of Rohan or be thrown to the orcs!"
Alright, it was really more along the lines of, "Dude, you never read LOTR? Where the hell have you been?" Yes, unlike the hordes of geeks who forwent dating to instead read epic tales of wizards and halflings and posing as such during weekend D&D marathons, I did not read Lord of the Rings in high school. And this point has always stuck out when going into geekathons with my friends. I had no problem answering various questions about TCP/IP, network architecture, Linux hacking, etc. Ask me somethign about Star Wars and chances are I'll remember it better than you. I can quote Monty Python with the best of them. But God help me, I had no friggin' idea what an Uruk Hai was.
Until now. In preparation for the movies, I read the book. I finally get it. I finally see why all these fanboys are constantly fantasizing about wandering around through the woods killing goblins and what have you. I get the swordsmanship and the desire for adventure. Dear God, I'm even beginning to pick up on the eroticism of elf ears, though it may just be Liv Tyler. Yes, I actually get the Lord of the Rings. And DAMN is it good.
Now, I'm not going to wax poetic on how this is the best piece of fiction in the 20th century, though its influence certainly makes a good case for it on its own. The whole ent thing in the book bored me to tears, and what the hell does Bombadil have to do with anything? The Fellowship was abit to get through, but in the end I liked it. All of the Ent stuff REALLY bugged me. I had to put it down during the Ent meetings just because I couldn;t stay awake. Of course, once they took Isengard it was all different, and I don't think it slowed down until the end.
Bottom line: If you liked the movies thus far, go pick up the book right now. And push yourself through the slow stuff -- it will pick up and it will rock your world. If the movies bored you, check your pulse 'cause you may be dead. In which case, this book ain't gonna help you none.
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69 Things to do With a Dead Princess, by Stewart Home
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If you have read through all of these reviews, you will probably notice that I rarely have anything truly negative to say about any of the books I have read,. For the most part, if I don't like a book, I just don't finish reading it and, therefore, it never makes it to these pages. This time, though, I felt the need to get through it. I mean, the thing is only 192 pages long and is filled some pretty hot and bothered (and somewhat disturbing at times) sex scenes. But even if they put the script to Deep Throat in this baby, nothing could save it.
I bought Dead Princess for two reasons: the book jacket said it was a pretty erotic book and, hey, how can you pass up that title? Plus, the images on the front were pretty groovy. The story is about... well, frankly, I have no friggin' clue. It's based on a REALLY shaky plot line about a weird woman who meets some pseudo-intellectual in Scotland. The guy finds reading to be an erotic adventure and proceeds to drone on ENDLESSLY about various novels and works of literature, most of which you've never heard of nor care about. It's the kind of pseudo-intellectual drivel that english lit grad students like to spit out to justify their existence.
The book is told from the woman's point of view, which makes it slightly more compelling, though I wish she would tell the guy to just shut the hell up and fuck her already instead of encouraging his endless stream of book babble. The story follows the pair as they visit various stone circles throughout Scotland and England carrying a ventriloquist's dummy laden with rocks to simulate the supposed tale of a man who claimed to have carried Princess Diana's body around in the same fashion following her death, as described in a book by the same name as this one. OK, weird. On top of this, they have some rather weird and kinky sex at many of these sites. In fact, the whole book can basically be broken down in the following format: Boring book talk > sex scene > boring book talk > sex scene > Boring book talk... etc. The only thing getting me through the boring book talk was the fact that a sex scene occurred right around the corner.
Now, I realize at this point you're thinking I'm some sort of a pervert whose immature pebble-sized brain may just not be able to completely comprehend the astounding insights and clever metaphors this book represents. If this is the case, YOU go read this travesty of a book and let me know what you think. If you still feel that way after reading it, I strongly suggest you soak your head, get out of the house and try reality for a while.
This was, by far, the biggest waste of time to read I've ever masochistically forced myself through, made all the more so by the absolutely horrendous ending that made me want to burn down a university english department. SPOILER: The entire books is a rather vague and fumbling metaphor for the state of literature today. That's what the author claims at the end. It's a lie within a lie, a fiction within a fiction. You get to the end and realize that the main character didn't just dream it or whatever, but actually intended it to be her own metaphor. It's a metaphoric tale within a metaphor. It's a waste of time printed on expensive paper. I suffered through all the book talk only to find out that it was all just random babbling. You could have expressed this state of literary affairs in a friggin' three page article!!!
So, yeah, steer clear from this vapid waste of time. I read the shit books so you don't have to. If good writing is meant to elicit an emotional response, then I guess this book did succeed in that purpose, but the emotional response was one of great annoyance and -- at the end -- immense anger and frustration. If you're interested, you can have my copy, but I suggest you get it from me before I burn it. At the stake. Along with the author.